Is Beyoncé still a pop star? This is a question I have been asking myself for the past week. Because I moved around Brooklyn. Where her latest album is constantly exploding from cars and portable speakers, it provides the soundtrack to late summer barbecues and block parties. I saw a man playing renaissance loudly through his phone while dining in a restaurant (no one complained).
I’ll Challenge You To Find A Music Critic
Beyoncé’s cultural prowess is undeniable. With his 28 Grammy Awards, he has won the most accolades of any singer in history. Millions of albums have been sold. He is one of a handful of performers who can fill a stadium on tour. I’ll challenge you to find a music critic who doesn’t count him as one of the most influential American artists of the past few decades.
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One of the songs topped the Billboard charts
This is probably why people are sometimes surprised to hear that Beyoncé hasn’t reached the top of the singles charts in nearly 15 years. The last time one of her songs topped the Billboard charts – the traditional benchmark for success – was in 2008 with “Single Ladies”. His other number one hits as a solo artist occurred between 2003 and 2006.
8th most popular song on Spotify after Harry Styles and Bad Bunny
“Break My Soul”, the lead single from Renaissance, reached number seven on the Billboard charts. Leaving acts like rapper Jack Harlow and singer Lizzo behind. At the time of writing this, “Break My Soul” was the eighth most popular song on Spotify in the US, behind Harry Styles and Bad Bunny.
At 40 and two decades into his career
At the age of 40 and more than two decades into her career, Beyoncé turned to creating albums as a form of conceptual art. It’s been at least a decade since he fully participated in the pop music industrial complex. Through which stars will agree to endless interviews, appearances and performances in exchange for radio plays and spots on impressive streaming playlists.
Away from sporadic Instagram posts, distance yourself from the public
Unlike some artists who are “always on”, Beyoncé takes six years between albums. Apart from sporadic Instagram posts, she distances herself from the public. In doing so, she has landed in a unique position: her cultural influence is greater than her commercial prowess.
Music analyst and former Billboard journalist Tatiana Sirisano
Tatiana Sirisano, a music analyst and former Billboard journalist, has described Renaissance as “the best real-time experiment ever” on how the changing music landscape is affecting what it means to be a superstar. Because online streaming has caught the attention of the viewers.
Music blog Hits Daily Double predicted that Renaissance would sell approximately 325,000 “album equivalent units” in its first week – a measure that includes stream, digital download, CD and vinyl sales. In 2022, that’s a solid number. This would almost certainly make it the best-selling album of the week.
Peers like De Gaga hit first week sales in the 2010s
But peers like Adele, Taylor Swift, and Lady Gaga garnered $1 million in first week sales in the 2010s. This is also significantly smaller than Beyoncé’s US sales for her self-titled 2013 album, which earned 617,000 in its first three days, or 2016’s Lemonade with 653,000.
With Renaissance Rollout, Beyoncé Is Herself Today’s Commercial
accepts realities. Her last two albums were dropped without warning, gaining attention through surprise – a tactic that others would copy for the rest of the decade. And for three full years, Lemonade was only available to stream on her husband’s small streaming platform, Tidal.
full of magazine covers and social media posts
But since Lemonade, streaming has overtaken CD sales as the main source of music revenue. This time around, Beyoncé has opted for a decidedly more traditional rollout, complete with a major single, Vogue magazine cover, and social media posts. He made his first appearance on TikTok. She’s also selling “box sets” of merchandise for fans to buy. Including a renaissance CD – a tactic pop stars have used to juice up sales numbers.
Music site Pitchfork called it a “challenging, densely-referenced album”.
It’s too early to know whether these moves will produce Beyoncé’s first big pop breakout in a long time. But the album has retained its cultural influence. The spotlight has been shone on great black musicians like Grace Jones and Nile Rodgers, enticing the public to sample collections of house, Afrobeats and disco music for decades. Music site Pitchfork described it as a “challenging, densely-referenced album that circles around its like-minded, Billboard-charting peers”. and maybe that’s it